THE ITCHY STUFF
“The itchy stuff is not working!!!!!” — Wailed, repeatedly, by Thalia, age 3.
Since we do so much of our photography viewing on a screen instead of on paper nowadays, I try to get my work off the computer and into someone’s hands as often as possible.
Last spring, in between two shoots on the west coast, I took the Amtrak Coast Starlight sleeper train from Los Angeles to Portland, Oregon. It was an incredible 29-hour trip and I made sure to document the entire thing through photography and video. I made a small limited edition zine of the results.
There are just a few left! You can see the project here and buy the zine here. It’s a great feeling to send out envelopes with little booklets of my work all over the world. The QR code on the back of the zine takes you to my video of the trip.
Self-publishing is nowhere near as expensive or out-of-reach as you may think; I used a great company called Smartpress to print the zines, which I designed myself. If you’re new to it all, their site has video tutorials that will guide you. Make sure to get your photos off the screen and out into the world, even if it’s just digital prints in the lab. If you’re shooting film and always get it scanned, go spend the day printing in the darkroom. If you want to self-publish, there’s no excuse not to try. The tangibility of printed photography is incredibly satisfying, as is seeing your work hung on walls or on coffee tables or bookshelves instead of just websites.
This post is by Elizabeth Weinberg as part of Photojojo’s Show & Tell Week.
hell yes.
“The itchy stuff is not working!!!!!” — Wailed, repeatedly, by Thalia, age 3.
My mother has always been a commanding presence. Large, larger than life. Her voice deep and throaty, her gaze unfaltering. She would draw eyes even if it weren’t for the contrast between her and the other women of Belle Meade. She often wore long, diaphanous shawls. She clicked her fingernails on hard surfaces, until she decided fingernails were destroying her painting, and fron that point on she kept the chopped severely, almost cruelly or painfully; when she drummed her fingers, it was with the soft thud of skin tips. She was a highly intelligent woman who nevertheless misused words. She taught me to make espresso on the stovetop, and how to freeze it to make a granita. She had caught things on fire while cooking more than once. She was nude, often, when I was a child—nude and much less fleshy. I was well acquainted with the contours of her naked body, and never more horrified than the day on which a friend showed up to play and found my mother nude, watering the hostas in the front beds. She has a tremendous collection of vintage aprons, one which I am rabid to inherit one day. But she rarely cooks, unless she decides to throw a party, and then it is food spectacle, it is a multi-day preparation affair, one after which she will declare herself off cooking, off hostessing, forever and ever.
There are many kinds of bitches. For example…
[Flash 9 is required to listen to audio.]
Catch some bunnies and love them. (Plus firework.)
[A Carousel on a Slide Projector, by Lullatone]
Turns out having a baby makes it harder to...
From the Deep South series - Sally Mann, 1998
Finally, here’s a high quality demo of my newest original “Supercenter.” I sing and play...
[Evelyn, by Goldmund]
Music that plays quietly well in the wee hours of the night/morning is...
Come Away from Her - Kiki Smith, 2003
From the Brooklyn Museum’s website:
Come Away from Her is based on a manuscript drawing by Lewis Carroll for his book
Crane - Charles Burchfield, c. 1915-16
Late Afternoon - Charles Burchfield, 1916
Moonset - Charles Burchfield, 1916
Flight of Blackbirds at Dawn - Charles Burchfield, 1916
Childhood’s Garden - Charles Burchfield, 1917